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0100101110101101.org

http://www.0100101110101101.org/

Net.art pranksters and hacktivists. Hosts Art.Teleportacia by Olia Lialina, and remixes of other sites.

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360degrees

http://www.360degrees.org/

Participatory examination of the American criminal justice system that uses first-person stories, interactive data, and discussion to take a critical look at who is in prison today and why.

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A Virtual Memorial

http://www.a-virtual-memorial.org/

Memorial project created by Agricola de Cologne within his NewMedia art project network.

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Amerika, Mark: Grammatron

http://www.grammatron.com/

Multimedia environment surrounding the 'info-shaman' Abe Golam whose alternate persona is Grammatron, a genderless digital being.

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Aporia

http://www.aporia.com/

Animated pseudo-code, video and poetry in a self described metaphysical pit of the new millennium.

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At Any Time

http://www.atanytime.org.uk/

An interesting net experience that will take you roughly 2 minutes to complete.

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Babel

http://www.babel.ca

Experimental digital literature/art/design, including visual poetry, interactive video and non-linear fiction.

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Baker, Anne: Container

http://www.container.uk.com/

Container is a virtual storage facility for memories. Users can submit their memories and choose their container type online.

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Baldwin, Lew: Redsmoke

http://www.redsmoke.com/

Redsmoke was launched in 1995 as a vehicle for a fictitious rock band. Includes Platters, an episodic story about a man who finds evidence of a programmed human worker.

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Banner Art Collective

http://www.bannerart.org/

Creates, collects and distributes net.art and poetry within the limitations and context of web advertising.

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Benjah 01xy

http://benjah.free.fr

A collection of experiments and broken looking spasmodic animations.

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Benjamin, Ben: Superbad

http://www.superbad.com/

The net.art output of a San Francisco based graphic designer using DHTML.

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Berzowska, Joanna: Computational Expressionism

http://www.berzowska.com/xy/index.html

A gallery of applets that allow the user to create images in tandem with the arist's algorithmical presets, and an "active essay" outlining the theory and giving embedded examples.

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